Counting down in reverse order, here are my favourite single digit numbers.
10. In last spot is number seven. I've disliked odd numbers since primary school, and seven was the worst of the worst. Is there a repressed bad memory that hypnotherapy can reveal? Was I humiliated by failing my seven times table? Or did I impale myself on a spiky number seven wooden block?
9. One bores me. It looks like a plain twig,
8. Nine sounds like the German word for "no" so has negative connotations for me.
7. Four is too common. It's a square number, predictable and uninteresting.
6. Three sounds pleasant when said but the actual number makes me think of the lamest party ever.
5. Two is neat and romantic but more importantly is the number of Twix's in a packet.
4. Six is special. It sounds jazzy, like a sax, and sexy, and is underrated like socks.
3. Five - I forgive its oddness because it's half of ten, a crucial number in the decimal system. The word is short and snappy and decisive. High five !
2. Zero. It reminds me of Coke, and it looks like a doughnut. Mmmmmm.
And my favourite:
1. Eight. The spelling is unusual and the shape is pleasing and curvy.
Friday, June 29, 2012
Thursday, June 28, 2012
Replacement Workers
My automaton hard at work this morning |
There weren't any clauses mentioning automatons in my work contract, so I suspect it's fine.
Tuesday, June 26, 2012
Let's Regroup
My favourite sporting cliché is "He needs to regroup". I can imagine this phrase making sense when applied to a ramshackle soccer team, or a poorly organised basketball team, but how exactly can one person regroup? Can someone disassemble and reconfigure Transformer-style into a more useful shape? Perhaps for soccer, one of the arms can become a third leg?
Monday, June 25, 2012
Living in the Past
When you've been around for a few decades, it's tempting to spend time caught up in nostalgia, continuing to listen to the classic pop tunes you grew up with, reflecting on good times at school or university, reliving your youth. But don't overdo it. Most of your time should be spend in the present or looking forwards, else you'll bump into something.
If you spend too much time in the past, you're not allowing enough time for living. Below is an illustration of someone's day: they awaken and listen to a few hours of a 1970s breakfast radio show and throughout the day find other ways to avoid being in the present.
If you spend too much time in the past, you're not allowing enough time for living. Below is an illustration of someone's day: they awaken and listen to a few hours of a 1970s breakfast radio show and throughout the day find other ways to avoid being in the present.
Saturday, June 23, 2012
Kicking for Gaol
An unknown player kicks a goal for Freo. A rare sight indeed.
The low grey cloud in the foreground is in fact a stray sheep. No, it's a guy with a fluffy toupee, obscuring my view.
The low grey cloud in the foreground is in fact a stray sheep. No, it's a guy with a fluffy toupee, obscuring my view.
Making a Tark
This is Matthew Pavlich taking a mark in front of me at the Freo v. Essendon game tonight.
Coincidentally the guy to my right was also snapping away with an Olympus Pen-EPL1.
Coincidentally the guy to my right was also snapping away with an Olympus Pen-EPL1.
Thursday, June 21, 2012
Blurry Fungus
Seen in my front garden a few days ago. It was in an awkward spot, underneath a bush and beside a fence, and it was very tricky manually focusing correctly.
Wednesday, June 20, 2012
Illustrated Dramatic Tension
This shows graphically the change in dramatic tension inherent in a standard murder mystery story.
The first spike occurs when the body is discovered. Then interest dwindles until a minor hiccup as the culprit is unmarked. Meh.
The first spike occurs when the body is discovered. Then interest dwindles until a minor hiccup as the culprit is unmarked. Meh.
Monday, June 18, 2012
Crime Stories aren't Thrilling
I have a problem with the genre of crime fiction, be it movies, novels or tv series. The modern detective story follows a formula that starts with a warm body and ends with a culprit being identified. In between are introductions of suspects, red herrings, cul de sacs, maybe some flashbacks and some further murders. But the underlying problem is a lack of tension. The victim is already dead, and you know that no matter how close the detective or investigator gets to the murderer, they're going to be fine. Even if the protagonist seems to be in jeopardy, the necessity of hiding the identity of the murderer from the audience tends to limit the amount of tension there can be. The writer deliberately conceals the inner thoughts of the culprit, and only hints at their psychology and motivations until the denouement.
Compare this with a thriller in which a protagonst finds themselves caught up in a dangerous and uncertain situation. This has greater potential for dramatic tension and more potential for the audience to be captivated.
Hopefully the world's scriptwriters read this blog and learn from it.
Compare this with a thriller in which a protagonst finds themselves caught up in a dangerous and uncertain situation. This has greater potential for dramatic tension and more potential for the audience to be captivated.
Hopefully the world's scriptwriters read this blog and learn from it.
Sunday, June 17, 2012
Late Sunshine
Tonight's weather forecast from Weatherzone provides a welcome treat. After the 5:18pm sunset, the evening will be mostly sunny. Clearly NASA's space mirrors have been moved into place and will be illuminating us later today.
Thursday, June 14, 2012
Psychological Thought of the Day
Irritability is contagious. Some people can absorb its spikiness in the same way that a thick mattress can envelop a cactus. But if the thorns are long enough, they'll get through.
Wednesday, June 13, 2012
Mobile Party Ball
A party in a pocket. Encased in bouncy plastic are LED lights and gold glitter floating in a gooey liquid. When bounced this modern version of a disco ball comes to life, strobing different colours, reflected randomly by the glitter. Bounce it around a darkened house and add music and it's magical. My best birthday present ever.
Monday, June 11, 2012
Captivating Audiences
The opening scenes of a film are often the best. Even dire movies can start with promise, with an extended action sequence à la James Bond or a range of potentially interesting characters being introduced one by one. In a mystery or a thriller, you're enveloped in an intriguing situation that could lead anywhere.
Take an M Knight Shyamalan movie with an intriguing premise such as The Village, where a township in an earlier century is terrorised by monsters of the forest. But as the storyline settles into a recognisable pattern and then approaches a conclusion, the magic of the film often dissipates: a mystery is solved in a convoluted and contrived way; star-crossed lovers reunite, a western heads towards the inevitable showdown or the M Knight Shyamalan movie is explained by a monumental twist that was never hinted at in the previous two hours.
My idea is to prolong the start of the movie, and compress the rest. Leave a mystery unresolved and ambiguous; leave the lovers in a state of limbo, uncertain of their future together; keep introducing new characters till the very end; finish a war movie mid-battle. The audience will never see the end coming, so they'll be captivated all the way until the very last moment as the end titles roll without resolution to the story. They'll feel shortchanged and unsatisfied as they leave the cinema but thinking back rationally, they'll be pleased to have had an enjoyable few hours with their brain full occupied trying to see how the story will come together.
Take an M Knight Shyamalan movie with an intriguing premise such as The Village, where a township in an earlier century is terrorised by monsters of the forest. But as the storyline settles into a recognisable pattern and then approaches a conclusion, the magic of the film often dissipates: a mystery is solved in a convoluted and contrived way; star-crossed lovers reunite, a western heads towards the inevitable showdown or the M Knight Shyamalan movie is explained by a monumental twist that was never hinted at in the previous two hours.
My idea is to prolong the start of the movie, and compress the rest. Leave a mystery unresolved and ambiguous; leave the lovers in a state of limbo, uncertain of their future together; keep introducing new characters till the very end; finish a war movie mid-battle. The audience will never see the end coming, so they'll be captivated all the way until the very last moment as the end titles roll without resolution to the story. They'll feel shortchanged and unsatisfied as they leave the cinema but thinking back rationally, they'll be pleased to have had an enjoyable few hours with their brain full occupied trying to see how the story will come together.
Sunday, June 10, 2012
Winter Storm Excitement
With the gusty winds in today's storm wreaking havoc across hundreds of kilometres. I was barely affected. But there was minor excitement as the pot plants blew over at lunchtime, and later the outside gas water heater's pilot light blew out, and refuses to reignite. So I'm living without hot water. Should this crisis continue much longer, odour levels in the household will reach critical levels as I refuse to shower in cold water.
Best of all, as I drove along my street in the midst of the storm, power lines were arcing as they touched each other.
Best of all, as I drove along my street in the midst of the storm, power lines were arcing as they touched each other.
Wednesday, June 6, 2012
Blurry Loon
A striking moonrise last night was nearly captured by your intrepid photographer. But sadly, in between discovering the pretty sight and starting snapping was a prolonged interlude of frantic running around the house searching cupboards for my well-hidden tripod. Once it was found it took another couple of minutes extending the telescopic legs and screwing on the camera to the base-plate, and by then the heavy clouds had all but hidden the moon from view.
Some Random Building Near Flowers
My camera made a rare outing away from it's hidey hole a few days ago, and was ecstatic to come across this pretty scene. I'd rate this photo as Postcard Quality, which is slightly below Calendar Quality, but way above Regular Happy Snap Quality.
Sunday, June 3, 2012
How to Appear Evil...
...grow a goatee.
It seems that the upside-down triangle shape of a pointy goatee beard instinctively causes anxiety in people, seemingly due to its similarity to an angry expression. For absolute proof, please stare at Evil Spock for a moment. Reference
It seems that the upside-down triangle shape of a pointy goatee beard instinctively causes anxiety in people, seemingly due to its similarity to an angry expression. For absolute proof, please stare at Evil Spock for a moment. Reference
Friday, June 1, 2012
Walk Faster or Perish
People who walk faster tend to live longer.
Jama article
This chart shows how many more years you can expect to live given your walking speed. for instance a 65 year old walking at 0.2 metres per second might reach 72, but someone walking at 1.6 metres per second would on average reach 97.
This is a serious peer-reviewed study, unlike most of the pseudoscience I come up with !
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